V. 3 N. 2 (2026): Il suono nei musei. Strategie progettuali tra design e curatela

A cura di Raffaella Trocchianesi

DOI: https://doi.org/10.60923/issn.3034-9699/v3-n2-2026

Pubblicato: 2026-09-16

Fascicolo completo

• PDF (English)

Dossier

• Suono e allestimento narrativo: approcci, strategie, strumenti di progetto

  Raffaella Trocchianesi

  9-27

  • PDF

• The synesthetic power of sound in exhibition design: From sound as trigger to sound as interpreter

  Marco Borsotti

  29-47

  • PDF (English)

• Sound as a means to enhance visitors’ engagement in museums

  Licia Calvi

  49-60

  • PDF (English)

• ‘How sound makes me feel’. Towards an Aural Diverse Practice of Sound Design in Museums

  Stefania Zardini Lacedelli, Marco Mason

  63-101

  • PDF (English)

• Sonificazione e Tecnologie Interattive per il Welfare Culturale

  Antonio Camurri, Andrea Cera

  103-114

  • PDF

Experience and Publics

• Sounds Off: Silence and Sound Absence in Museums

  Chiara Cecalupo

  119-133

  • PDF (English)

Digital Technologies for Cultural Heritage

• Digitization for an Ethnographic Musical Instrument Collection

  Adilia Yip

  135-157

  • PDF (English)

Architecture and Displays

• Entwining sound, space and narratives. Sound design approaches in exhibitions

  Micol Riva

  159-185

  • PDF (English)

Behind the scenes

• The new sound tour of the Musée du Quai Branly - Jacques Chirac, Paris. Interview with Eric de Visscher

  Louis Petitjean, Eric de Visscher

  187-202

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Materiali

• Developing a typological matrix of Museum Sound Sources to Enhance Design and Management

  Yi Zhang

  207-227

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• Oltre l’accesso. Vocalità, ascolto e corpoliteracy come critica istituzionale

  Cecilia Bima

  229-245

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