Modern Masters on the Move: The Professionalisation of American Art Museums Through Travelling Exhibitions Before MoMA, ca. 1900-1929

Abstract

Between 1900 and 1929, a dynamic network of American museums emerged to organize travelling exhibitions of modern art. This developmentwas driven primarily by smaller, recently-established institutions such as the Albright Art Gallery in Buffalo (now the Buffalo AKG Art Museum), the Detroit Museum of Art, and the City Art Museum of Saint Louis. This article focuses on the Albright Art Gallery under the directorship of Cornelia B. Sage (1876-1936, director 1910-1924) to shed light on the rapid professionalization of museums and art exhibitions in early twentieth-century America. Drawing on extensive archival records from the Buffalo AKG Art Museum, the study examines how travelling exhibitions were strategically employed to transform museums into modern, professional institutions. Through an analysis of Sage’s activities, objectives, and networks, it highlights the role of travelling exhibitions in shaping the profiles and operations of American art museums during this period – and demonstrates how these earlier initiatives created the groundwork on which The Museum of Modern Art (MoMA) would later build its influential exhibition strategies.